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BAREFOOT
IN THE PARK
a film by Gene Saks released through Paramount Pictures in 1967
In this
newlywed comedy, Robert Redford plays a staid attorney, and Jane Fonda
plays his neurotic and nymphomaniacal wonder-bride. The setup, with
the run-down walk-up apartment, and the eccentric neighbor courting
the reserved mother, is good. But the film's central conceit, that
Corie would contemplate divorce after a mere week of marriage—and
only because her husband has pressing work responsibilities and doesn't
sentimentalize their bohemian quarters—barely
convinces. Ironically, if Paul was more annoying perhaps everything
would gel. Indeed, the tension derived from diametrically opposed
personalities/viewpoints is a lynchpin of comedy. But there's a
problem when one party is too outlandish to engender any sympathy.
(And it's a little difficult to believe he knew nothing of her
temperament, and if he did, why he would marry her.)
Nevertheless, despite its glacial pace and leaden 'humor' (if they were
ten stories up, not five, the universal windedness of the stair-climbers
would make more sense), we're granted an idealized glimpse of carefree
Greenwich Village living in the '60s. Charles Boyer and Mildred
Natwick show the youngsters what real acting is. And we all have a
chance, through this pleasant diversion, to consider what it takes to make
real marriages work.
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