|
REAR WINDOW
a film by Alfred Hitchcock released through Paramount Pictures in
1954
What a marvel! Rear Window, the engrossing tale of a
wheelchair-bound photographer eagerly contemplating the potential
demise of his fellow tenant, while struggling to manifest any
affection for his radiant-blond gal pal, has captivated audiences
for generations. Now that its viewing is no longer restricted
to fuzzy VHS copies on small TVs the many details-in-miniature
emanating from across the courtyard—a
succession of archetypes—are
suddenly apparent (such as the beauty of Thorwald's nagging wife).
The immersive application of sound—diegetic
music; echoing, haunting voices; distant traffic and soothing rain—anticipates
the so-called innovations of Walter Murch in American Graffiti
and The Conversation by twenty years.
Hitchcock loved the challenge of self-imposed limitations; the deliberate
staging and camerawork makes our identification with the hero increasingly
tenuous. This successful manipulation inspired to director to impose
on his audience the more extreme devices of Vertigo and Psycho.
This tension between audience and protagonist, this gulf of perception,
became a hallmark of his work.
Aided
by a delightful comic turn by Thelma Ritter as a working-class sage, this
is one of the most entertaining 'serious' movies ever made.
|