WHITE CHRISTMAS

a film by Michael Curtiz released through Paramount Pictures in 1954

Overlook the stage-bound photography and advanced age of Bing Crosby (most apparent in the WWII prologue, and any time he's canoodling Rosemary Clooney): White Christmas is a delight.  As the first film shot in Vista Vision (a prestige large-format process anticipating IMAX), its historical importance is matched by its easy-going charm.  There's so much pleasant let's-put-on-a-show fluff stuffed into its 120 minutes, the only tension is supplied by that venerable device—the grand misunderstanding, as Betty jumps to conclusions and thinks Bob wants to exploit the general's constrained financial condition to garner favorable press.  Betty and Bob—in a dramatic contrivance—never actually say what they're thinking about the situation, and hurt feelings abound...until the regiment reunites and the snow—signifying peace on Earth and financial prosperity for the ailing ski lodge—begins to fall on Christmas Eve.

A prime example of a film that deserves to be enjoyed, not studied, White Christmas is at its best when the razzmatazz melts away and we can revel in the quiet togetherness of sympathetic characters—Phil and Bob's backstage repartee in Florida, the "Snow" train sequence, and the inimitable "Count Your Blessings Instead of Sheep," where Bob imparts wisdom (topped off with a dollop of romance) to Betty.  This is a great film to force on unwary youngsters.  In no time flat they'll forget how much they hate it.

★★★★☆

Best for ages 10+

FEATURING

BING CROSBY, DANNY KAYE, ROSEMARY CLOONEY, AND VERA-ELLEN

© 2026 Ian C. Bloom