.
Seeing
Cinema in a New Light / essays by Ian C. Bloom
I l l u m i
n e d I l l u s i o n s is a digital repository of film
criticism.
Some essays
constitute in-depth analyses,
while
others better fit the parameters of a review.
No attempt
is made to hold back crucial plot points.
Just
remember that we only have one chance to see a movie for the first time.
|
FARGO (1996) |
|
FATHER
OF THE BRIDE (1991) |
|
THE FECKLESS FAITH OF INDIANA JONES |
|
FERRIS BUELLER'S DAY OFF (1986) |
|
FORCE AWAKENS, THE (2015) |
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FROM HERE TO ETERNITY (1953) |
|
FUGITIVE, THE (1993) |
|
GODFATHER, THE (1972) |
|
GODFATHER PART II, THE (1974) |
|
GODFATHER
PART III, THE (1990) |
|
GODS AND GENERALS (2003) |
|
GOODBYE GIRL, THE (1977) |
|
GOOD,
THE BAD AND THE UGLY, THE (1967) |
|
GONE WITH THE WIND (1939) |
|
GRADUATE, THE (1967) |
|
GRAN TORINO (2008)
|
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GREASE (1978) |
|
GREEN CARD (1990) |
|
HEARTS OF DARKNESS (1991) |
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HE'S
GOT YOUR BACK (TO THE FUTURE) |
|
HIS KIND OF WOMAN (1951) |
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HOME ALONE (1990) |
|
HOOSIERS (1986) |
|
HUNT
FOR RED OCTOBER, THE (1990) |
|
IN THE BEDROOM (2001) |
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IN THE LINE OF FIRE (1993) |
|
IT'S A WONDERFUL LIFE
(1946) |
|
JAWS
(1975) |
|
JFK
(1991) |
|
KNIFE IN THE WATER (1962) |
|
LADY FROM SHANGHAI, THE (1947) |
|
LADY VANISHES, THE (1938) |
|
LAKEVIEW TERRACE (2008) |
|
LES MISERABLES (1998) |
|
LETTERS FROM IWO JIMA (2006) |
|
LICENCE TO KILL (1989) |
|
LITTLE WOMEN (1994) |
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MAGNIFICENT SEVEN, THE (1960) |
|
MANCHURIAN CANDIDATE, THE (1962) |
|
MAN
FOR ALL SEASONS, A (1966) |
